Asian Girl Fucking

Posted on January 09, 2012 by Admin
Asian Girl Fucking

Asian Girl Fucking

If you aren't familiar with the term "J-Pop", it simply means Japanese Pop music, which defies most stereotypes of sian music. Arguably heavily influenced by American pop music, it has become the most popular genre of music in Japan - and has its fans worldwide too. However, their songs commonly have words and phrases of English scattered throughout the lyrics - even if the artist themselves aren't fluent, or even particularly far beyond the basics of the language. What is this fascination with English that has seemed to only progress through the years? From the Asian icon Ayumi Hamasaki to the budding success alan, artists no matter how popular seem to incorporate two languages into most of their songs.

Careers in the West?

The first reason that is usually given as an explanation is the possibility that by using English in their songs, they are trying to seem relevant to a larger fanbase - possibly one including more international fans, in preparation to try and break into a Western market. However, very few Asian artists have tried to make it large across the waters, and none have really gained the successes that they gained in the East. Examples include the Korean popstar BoA, who has released in both Korea and Japan with moderate successes. In 2009, BoA released her debut US album, named BoA. However, it only reached #127 on the US Billboard Top 200 - not exactly the breakthrough her record label SM Entertainment were looking for. Also, the incredibly successful J-Pop artist Utada Hikaru, already known in the West for singing the theme song for the console game Kingdom Hearts, has had two attempts at grabbing similar success in the USA. In 2004, she released " Exodus " in both the US and Japan. In the US it reached #160 on the Billboard 200, but on Japan's Oricon she easily claimed the #1 spot. She tried again more recently in 2009 with the album This Is the One, which did much better by getting to #69 in the US, but was slated for weak promotion and lazy cover art even in Japan, where it reached #3 on the Oricon.